Andrew Hancock isn’t the type of photographer that has a lot of downtime from shooting. As one sports season wraps up, he’s already looking ahead to what’s coming up. And when Hancock is covering a sporting event, he’s typically overseeing the remote cameras aimed at the athletes—he estimates for a basketball or baseball game he’s managing anywhere between six to 12 cameras at a time. For horse racing, it can be as many as 20 cameras.

It’s a massive amount of data that needs to be managed after the fact. Hancock trusts the SanDisk® Professional G-DRIVE® PROJECT desktop solution which has a built-in PRO-BLADE™ SSD Mag slot, and SanDisk® PRO-CINEMA CFexpress™ Type B cards to stand up the challenge when he is out in the field.

“I’m only as fast as my slowest point and speed is everything, especially when you’re doing work for the teams,” Hancock says. “Cards can be the Achilles heel for sports photographers—we’re using high speed frame rates, and trying to get as much of the action as we possibly can. SanDisk PRO-CINEMA CFexpress Type B cards help let me push my camera to its limits.”

The SanDisk PRO-CINEMA CFexpress Type B card is a key part of Hancock’s workflow. The card is designed for professional photographers and videographers who need a high-performance, reliable storage solution. The card is compatible with a wide range of cameras, and it offers read speeds of up to 1700MB/s¹ and burst write speeds of up to 1500MB/s¹. This means that Hancock can capture high-resolution photos and videos without having to worry about his cards slowing him down.

Hancock says that SanDisk’s line of professional products has allowed him to create a daisy-chained ecosystem that works well together. The reliable, fast PRO-CINEMA CFexpress cards are loaded into the cameras, media on the cards is offloaded using the SanDisk Professional PRO-DOCK 4 or PRO-BLADE SSD Mag slots, eventually getting archived on a G-RAID® MIRROR.

“The ability to be able to pump this data as fast as it can go and wherever it can go, means I’m not having to worry about overheating issues or filling the buffer,” Hancock says. “In a clenching situation, where I want to get as much as I possibly can, these cards allow me to actually focus on capturing the moment, without worrying about missing frames.”

For Hancock, having these fast, top of the line cards and drives is as essential as his cameras and lenses when he’s on a job.

“I know I’m not going to be covering a massive event and then something’s going to fail or underperform. At the end of the day that comes back on me,” he says. “It’s like being the quarterback of the team. It doesn’t matter if the receiver dropped the ball, everything comes back to your shoulders. It’s on you. As a photographer you’ve got to make those decisions. And it’s a business decision, quite frankly.”

Professional sports photographers typically spend a good deal of time on the road—Hancock mentions that some years he has up to 200 travel days a year. Having a storage solution that’s been easy to pack up and set up on location has also been a huge part of the appeal for him. Beyond its compact size, the SanDisk PRO-CINEMA CFexpress Type B card also comes with a durable enclosure, withstanding up to 1-meter drops and the pressure of up to 50 newtons², so Hancock can be confident his data will be safe on the go.

“I’m like water, I want the path of least resistance. Having a streamlined workflow takes all the stress out of the situation for me,” he says.

For Hancock having such a streamlined workflow with storing and archiving, enables him to perform at a higher level and be more creative when he’s working. But it’s also helped him get valuable back time. “It’s made my job easier and more efficient, which ultimately means more time with my kids whenever I’m home,” he says. “I love what I do, but any second that I can get back, I want it.”

¹Up to 1700MB/s read speed; up to 1500MB/s write speed. 1400MB/s minimum sustained write speed. Based on internal testing; performance may be lower depending upon host device, usage conditions, and other factors. 1MB=1,000,000 bytes.

²Based on internal testing.

The post Best Media Storage Solutions for Pro Photographers appeared first on Popular Photography.

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Best overall		Sony RX100 VII		SEE IT	This compact camera offers a versatile lens, 1-inch sensor, and superb autofocus abilities.
Best for street photography		Ricoh GR III		SEE IT	The Ricoh GR III offers a unique zone focus system for capturing decisive moments.
Best budget		Panasonic LUMIX ZS100		SEE IT	The Panasonic LUMIX ZS100 has an impressive zoom range at a budget price.

Compact cameras aren’t just for beginners anymore. In recent years, camera manufacturers have really stepped up the quality and build of the pocket-sized devices that they are selling. These days, many compact cameras feature large sensors, fast lenses, and excellent autofocus that will help you capture the world in a way that your smartphone can’t. Quite a few even have stellar video chops as well, pulling down high-res footage with impressive bit rates. Whether you are just getting started with photography or are a seasoned pro, the best compact cameras have a way of bringing joy to picture-making. 

• Best overall: Sony RX100 VII
• Best for street photography: Ricoh GR III
• Best for vloggers: Sony ZV-1 II
• Best high-end: Leica Q2 Monochrom
• Best budget: Panasonic Lumix DMC-ZS100

How we chose the best compact cameras

When selecting cameras for this guide, we considered sensor size, autofocus capabilities, and a variety of use cases for each camera. When making our selections, we also considered prices, while it’s not unusual for high-end compact cameras to cost over a thousand dollars, it was important to include a few lower-priced items that would appeal to beginning photographers. 

Our final consideration when making our selections for this guide was that we were picking cameras that we have actually shot with or reviewed before.

The best compact cameras: Reviews & recommendations

Compact cameras are great tools for capturing everything from travel and street photography to candid family moments. These small image-making devices are easy to keep on hand, so you don’t miss the shot. Here are our favorite compact cameras for a range of situations and users.

Best overall: Sony RX100 VII

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Why it made the cut: The RX100 VII has a massive one-inch sensor for its extremely compact size, which means it can produce images that your smartphone won’t be able to compete with. 

Specs

• Resolution: 20.1 megapixels
• Sensor size: 1-inch
• Lens: 9 to 72mm (35mm equivalent: 24 to 200mm)
• Image stabilization: Digital, optical in integrated lens
• Memory card slots: Single slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid
• Weight: 10.65 ounces
• Dimensions: 4 x 2.29 x 1.69 inches

Pros 

• Large 1-inch CMOS sensor
• Solid zoom capabilities
• Excellent autofocus and subject tracking
• Shoots 4K video and has a built-in mic input

Cons

• Expensive

The RX100 VII is one of the best compact cameras on the market. It has a versatile zoom range and a fairly fast lens, but the stacked 1-inch CMOS sensor elevates this compact camera to the next level. 

Sony’s excellent autofocus system, the flip-up touchscreen LCD, and the clever pop-up OLED viewfinder are also big selling points. You can shoot up to 20fps without blackouts in burst mode. It can shoot oversampled 4K video and includes a built-in mic input, so whatever you are shooting will look and sound great. 

Sure, it’s pricey, but ultimately, a lot of these features used to only be found in expensive, top-of-the-line cameras aimed at sports photographers—having the ability to shoot so fast with AF tracking is pretty remarkable.

Best for street photography: Ricoh GR III

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Why it made the cut: The Ricoh GR III offers a 24.2-megapixel sensor with a fast 28mm lens in a highly compact body. Plus, the Snap Focus system helps you get the shot with fast-moving moments on the street.

Specs

• Resolution: 24.2 megapixels
• Sensor size: APS-C
• Lens: 18.3mm (35mm equivalent: 28mm)
• Image stabilization: Sensor-shift, 3-axis
• Memory card slots: Single slot: SD/SDHC/SDXC
• Weight: 9.07 ounces
• Dimensions: 4.3 x 2.4 x 1.3 inches

Pros 

• Large APS-C sensor
• Fast f/2.8 lens
• Built-in ND filter
• Easy controls

Cons

• Battery life isn’t great
• Viewfinder is a separate purchase

The lightweight Ricoh GR III is a street photographer’s dream compact camera. Weighing just over nine ounces, it’s small enough to easily fit in your pocket and not notice it there. Ricoh built the camera around a 24.2-megapixel APS-C sensor, which results in sharp, attractive DNG stills. It supports in-camera raw editing and wireless connection to a smartphone to speed up sharing.

One thing that sets the GR III out in terms of street photography is the Snap Focus system. This feature allows you to automatically jump to a specified focus distance when fully pressing the shutter button. That zone-focusing method is ideal for quickly capturing decisive moments during street photography shoots.

The lens on the Ricoh GR III is a 28mm equivalent with a fast f/2.8 maximum aperture. It can focus as close as 3.9 inches. Or you can turn on the dedicated macro setting and focus from 2.4 to 4.7 inches. A built-in neutral density (ND) filter helps with shooting on bright days when you still want a slow shutter speed or wide aperture. The nine-blade aperture allows for smooth bokeh. When you are working with slower shutter speeds, the three-axis Shake Reduction System helps obtain sharp images even when shooting handheld.

Should you want a tighter focal length for street photography outings, the Ricoh GR IIIx is essentially the same camera but with a 40mm equivalent lens.

Best for vloggers: Sony ZV-1 II

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Why it made the cut: This is the best compact camera for vloggers because it was designed with vloggers in mind—if video content is your thing, you can’t go wrong with the ZV-1 II.

Specs

• Resolution: 20.1 megapixels
• Sensor size: 1-inch
• Lens: 6.9 to 17.6mm (35mm equivalent: 18 to 50mm)
• Image stabilization: Digital (video only)
• Memory card slots: Single slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid
• Weight: 10.3 ounces
• Dimensions: 4.15 x 2.4 x 1.84 inches

Pros 

• Directional 3 capsule microphone for easy audio capture
• Supports HLG and S-Log2/3 for color grading
• Real-time Eye AF

Cons

• No viewfinder

Sony specifically designed the ZV-1 II for vlogging, but it’s a great tool for shooting stills as well. It uses the same stacked one-inch sensor found inside the RX100 but ditches the viewfinder for a directional three-capsule mic for capturing quality audio. 

The camera offers a flip-out touchscreen and can shoot 4K video at 30p and Full HD up to 120 fps. A giant record button can be found on the top of the camera for extremely easy operation. The 18 to 50mm equivalent zoom lens is extremely versatile, allowing you to record yourself or larger groups as well as tighter shots.

The autofocus is fast, real-time Eye AF is supported, and a background de-focus function lets you blur out backgrounds in a shot by simply pressing one button. Additionally, it has a product showcase mode, which is handy for bloggers who want to keep the focus on the products they’re displaying, even if their face comes into the frame.

Best high-end: Leica Q2 Monochrom

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Why it made the cut: It’s a unique but beautiful camera that takes stunning black-and-white images.

Specs

• Resolution: 47.3 megapixels
• Sensor size: Full-frame
• Lens: 28mm
• Image stabilization: Optical in integrated lens
• Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.6 pounds
• Dimensions: 5.1 x 3.1 x 3.6 inches

Pros

• Excellent low-light performance
• Attractive body design
• Excellent viewfinder

Cons

• Expensive
• Only takes black-and-white images

The Leica Q2 Monochrom isn’t for everyone, that’s for sure. After all, it’s a compact digital camera that only takes black-and-white images. And it has a classic Leica price tag. But it’s a stunning body that creates stunning images. The full-frame 47.3-megapixel sensor produces truly beautiful image quality. It also has excellent low-light performance with limited noise, even at higher ISOs.

The camera is fitted with a 28mm lens and is nice and compact, making it very travel-friendly. It can shoot 4K video and has reliable and accurate autofocus. It may look like an old-school film camera, and it acts like it in that it only shoots monochrome, but inside is some impressive tech.

If you like the Q2 in every way other than the black-and-white aspect, Leica also makes a Q2 that shoots color.

Best budget: Panasonic Lumix DMC-ZS100

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Why it made the cut: The Panasonic Lumix DMC-ZS100 is the best budget compact camera because it’s a camera with an impressive zoom capability at a bargain price.

Specs

• Resolution: 20.1 megapixels
• Sensor size: 1-inch
• Lens: 9.1 to 91mm (35mm equivalent: 25 to 250mm)
• Image stabilization: Optical in integrated lens, sensor-shift, 5-axis
• Memory card slots: Single slot: SD/SDHC/SDXC
• Weight: 11.01 ounces
• Dimensions: 4.4 x 2.5 x 1.7 inches

Pros 

• Extensive zoom capabilities
• 4K photo mode lets you create stills for 4K videos
• f/2.8-5.9 Leica DC lens

Cons

• No articulating touchscreen

Though there is a newer version of this camera–the Panasonic Lumix ZS200–this older model still is very capable and will save you a bit of money. This compact zoom camera is built around a 20mp 1-inch sensor and has an f/2.8-5.9 25-250mm equivalent lens. 

It can shoot 4K/UHD video at 30p and 24p, has a mode called 4K photos that lets you create jpegs from 4K videos, and Depth from Defocus autofocus tech. It shoots 10fps continuously or 5pf with autofocus. 

There is a 3-inch fixed touchscreen, a 1.04m-dot EVF, and built-in WiFi for easy sharing. Although it lacks some of the more advanced features found in other cameras in this guide, you simply can’t beat the price.

Things to consider when buying the best compact cameras

A high-quality compact camera is something that professional shooters enjoy just as much as beginners. But before you buy the most expensive, highest megapixel camera on the market, it’s important to do some research. 

The most important thing to consider when selecting the best compact camera is how you will be using it, where you will be taking it and what you intend to shoot with it.

Zoom range

If you are planning to take it on vacation with you or use it to capture fun, candid moments of your family, something with a decent zoom range will probably fit the bill. If you are more interested in street photography and lifestyle photography, a camera with a fast fixed lens might be more your speed. 

Some compact cameras offer lots of zoom, up to 20x or more. That extra reach comes at a cost, though. More glass typically translates into a bigger camera. And shooting at max zoom can be tricky since the lens aperture typically slows down on the long end. Even if the aperture isn’t a problem, holding it steady enough can be tricky. 

Fixed lenses typically offer faster apertures and enable larger sensors inside the camera. Of course, that means you lose any zoom capabilities.

Manual controls

Professionals and advanced amateurs will appreciate cameras that give them manual control, while a newer shooter might enjoy something with more full-auto settings and innovative touchscreen control. If you are planning to shoot mostly video with your compact camera, look for something that has the ability to plug in a microphone and doesn’t limit recording capabilities. 

While some compact cameras offer manual controls, they may require you to access those settings through menus because they don’t have the physical dials or buttons required to enable quick manual control.

Price

Ultimately price is a big thing to consider as well. A compact camera with a large sensor, fast shooting capabilities, and a nice lens will cost a lot more than something with a more simplified build.

FAQs

Final thoughts on the best compact cameras

• Best overall: Sony RX100 VII
• Best for street photography: Ricoh GR III
• Best for vloggers: Sony ZV-1 II
• Best high-end: Leica Q2 Monochrom
• Best budget: Panasonic Lumix DMC-ZS100

Ultimately, finding the best compact camera for you has a lot to do with what and where you plan to be shooting. A fixed lens compact might be best for street photography or candid portraits, while something with a long zoom might work better for travel and adventure photography. If video is important, consider a camera with excellent 4K capabilities and no recording limits.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best compact cameras of 2023 appeared first on Popular Photography.

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Best overall		Tamron 28-75mm F/2.8 Di III VXD G2		SEE IT	Tamron’s take on a standard zoom is versatile and built to last.
Best all-in-one		Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD		SEE IT	This zoom lens covers just about every focal length you may need.
Best prime		Tamron SP 35mm F/1.4 Di USD		SEE IT	With excellent sharpness and a fast f/1.4 aperture, this prime lens has a lot to offer.

Tamron lenses have been excellent third-party options for photographers for decades. The brand currently manufactures a wide variety of zooms and primes for Sony, Fujifilm, Nikon, and Canon camera systems. Many photographers opt to use lenses from a third-party manufacturer (rather than the camera manufacturer) as a cost-effective way to save money while building out their camera kit. In this guide, we will explore some of the best Tamron lenses currently on the market to help you select the best one for your needs. 

• Best overall: Tamron 28-75mm F/2.8 Di III VXD G2
• Best all-in-one: Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD
• Best ultra-wide: Tamron 11-20MM F/2.8 DI III-A RXD
• Best for wildlife: Tamron SP 150-600mm F/5-6.3 Di VC USD G2
• Best prime: Tamron SP 35mm F/1.4 Di USD

How we chose the best Tamron lenses

When selecting the products that appear in this buying guide, it was important to consider choices that fit a variety of budgets and shooting styles. Tamron currently makes lenses that are compatible with Fujifilm, Sony, Canon, and Nikon cameras, and it was important to include options that covered all of these systems. 

Rather than categorizing our top picks by the cameras that they were compatible with, we chose to select the best from each of the lens styles that Tamron offers: All-on-one, standard zoom, wide-angle zoom, ultra-telephoto zoom, and prime. In making our selections, we considered features such as image quality, image stabilization, aperture range, size, and weight. 

The best Tamron lenses: Reviews & recommendations

Tamron currently offers lenses that are compatible with Sony, Fujifilm X, Canon EF-mount, and Nikon F and Z-mount cameras. The lenses that appear in this buying guide specify which mounts they are currently available in so that you can select an option that works with your camera. While these lenses lack some of the high-end features that are found in first-party lenses, they still offer excellent image quality and are a great choice for budget-conscious photographers.  

Best overall: Tamron 28-75mm F/2.8 Di III VXD G2

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Specs

• Lens mount: Sony E, full-frame 
• Aperture range: f/2.8 – f/22
• Image stabilization: No
• Filter size: 67mm 
• Minimum focus distance: 7.1 inches
• Weight: 1.2 pounds
• Dimensions: 3 x 4.6 inches

Pros

• Fast aperture 
• Moisture resistant 
• Faster focus motor
• USB port for firmware updates

Cons

• Only available for Sony cameras
• Not as wide as most standard zoom lenses 

A follow-up to Tamron’s well-loved 28-75mm F2.8 Di III RXD, the G2 features a faster linear focus motor and a more pleasing bokeh when shooting wide. The inclusion of a USB port on the barrel makes it easy for photographers to update the firmware as it becomes available. 

The lens is made up of 17 elements in 15 groups, including a low dispersion and a glass-molded aspherical element. It features a standard 67mm filter, which other lenses in the series also share, making it more affordable to invest in filters. It also offers a moisture-resistant build to protect it from the elements. 

This particular lens is only available for Sony cameras but will work with both full-frame and APS-C models. Although it lacks the 24mm field of view available on most standard zooms, its fast aperture and fast focus capabilities make it an extremely appealing choice for budget-conscious Sony shooters. 

Best all-in-one: Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD

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Specs

• Lens mount: Fujifilm X or Sony E, APS-C
• Aperture range: f/3.5-6.3 to f/22-40
• Image stabilization: Yes
• Filter size: 67mm 
• Minimum focus distance: 5.9 inches
• Weight: 1.4 pounds
• Dimensions: Fujifilm: 3 x 5 inches Sony: 3 x 4.9 inches

Pros

• Impressive field of zoom coverage 
• Quick and quiet auto-focus
• Moisture-resistant build
• Features optical stabilization 

Cons

• Not great in low light 

Tamron’s 18-300mm F/3.5-6.3 Di III-A VC VXD is one of the best all-in-one lenses currently on the market. It is a great choice for photographers who want a variety of focal lengths without carrying around a ton of lenses. This particular model is made for Fujifilm and Sony mirrorless APS-C cameras. Its impressive zoom range covers an equivalent focal length range of 27 to 450mm. 

This all-in-one can focus as close as 5.9 inches and offers a 1:2 maximum magnification ratio. That makes it a great tool for macro photography, adding to its versatility. It is also built to withstand your adventures. The plastic lens barrel offers a moisture-resistant build and an anti-smudge fluorine coating on the front of the lens, which will help keep it clear of fingerprints. Despite the wide zoom range, it only weighs 1.4 pounds, making it a surprisingly compact lens for what it offers.

The impressive zoom capabilities of this lens do mean you are sacrificing a fast aperture. The minimum aperture of f/3.5-6.3 doesn’t make this an ideal choice for shooting late at night. But if you are primarily a daytime shooter or using artificial lighting, this is an excellent budget-friendly all-in-one zoom. 

Best ultra-wide: Tamron 11-20MM F/2.8 DI III-A RXD

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Specs

• Lens mount: Fujifilm X or Sony E, APS-C 
• Aperture range: f/2.8 – f/16
• Image stabilization: No
• Filter size: 67mm 
• Minimum focus distance: 5.9 inches
• Weight: 11.8 ounces
• Dimensions: 2.9 x 3.4 inches

Pros

• Super wide field of view
• Splash and dust-resistant
• Fast aperture 
• Quick and quiet autofocus 

Cons

• No stabilization

The Tamron 11-20mm F/2.8 Di III-A RXD offers a wide field of view in a surprisingly small package. Tamron designed the lens for Sony and Fujifilm APS-C mirrorless cameras, and it provides a full-frame equivalent focal length of 16.5 to 30mm. Although you can technically mount this to a full-frame Sony camera, because it was designed to be used with APS-C cameras, it won’t cover a full-frame sensor and will produce a black ring around your image. If you are an APS-C shooter and looking for that super wide field of view, this lens is a winner. 

The lens is constructed of 12 elements in 10 groups, including special elements that reduce chromatic aberrations—a common issue when shooting with ultra-wide lenses. Its autofocus is quick and quiet, although this lens does have some issues with focus breathing when used for shooting video. It also happens to offer better weather protection and brighter optics than the comparable lenses made by Sony and Fujifilm. It does lack any stabilization, but that’s typical of an ultra-wide-angle zoom lens. 

Best for wildlife: Tamron SP 150-600mm F/5-6.3 Di VC USD G2

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Specs

• Lens mount: Canon EF or Nikon F, full-frame
• Aperture range: f/5-6.3 to f/32-40
• Image stabilization: Yes, 4.5 stops
• Filter size: 95mm 
• Minimum focus distance: 7.22 feet
• Weight: Canon: 4.42 pounds, Nikon: 4.38 pounds
• Dimensions: Canon: 4.27 x 10.24-13.33 inches, Nikon: 4.27 x 10.15-13.25 inches 

Pros

• Impressive stabilization
• Lockable zoom controls
• Weather sealed build 
• Quick autofocus 
• Integrated Arca-Swiss quick-release system 

Cons

• Unsatisfactory edge performance at extreme ends 

This ultra-telephoto zoom is designed with wildlife and sports shooters in mind. Although this particular model is over five years old now, it remains one of Tamron’s most capable telephoto zooms. It features 21 elements in 13 groups and includes antireflection coatings to remove ghosting and flare from reflected light. 

The Tamron 150-600mm features an ultrasonic silent drive for autofocus that is both quick and quiet, plus three levels of vibration control. The rotating collar and Acra-Swiss quick-release system make it easy to mount this massive lens to a tripod or monopod—which is the best way to use such a large telephoto lens. Unfortunately, the edge performance is unsatisfactory when the lens is used at its widest or tightest focal lengths. But it remains a solidly performing piece of glass at all other focal lengths. 

Best prime: Tamron SP 35mm F/1.4 Di USD

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Specs

• Lens mount: Canon EF or Nikon F, full-frame
• Aperture range: f/1.4 – f/16
• Image stabilization: No 
• Filter size: 72mm 
• Minimum focus distance: 11.81 inches
• Weight: Canon: 1.79 pounds, Nikon: 1.78 pounds
• Dimensions: Canon: 3.19 x 4.13 inches, Nikon: 3.19 x 4.03 inches 

Pros

• Super fast aperture 
• Moisture resistant 
• Classic 35mm focal length
• Quick and quiet autofocus 

Cons

• No image stabilization

A super-fast prime lens is a tool that every photographer should have in their kit. Opting for one from a third-party lens maker is a great way to save as you build out your gear collection. The Tamron SP 35mm is one of our favorite third-party primes thanks to its exceptional image quality and affordable price. The lens features 14 elements in 10 groups, which include four low-dispersion elements and three glass-molded aspherical elements. 

The fast aperture of f/1.4 makes for dreamy, beautiful bokeh when it’s used at its widest apertures. It features an ultrasonic silent drive motor for quick and quiet autofocus and a moisture-resistant construction. The Tamon SP 35mm is an excellent lens that doesn’t compromise on image quality while remaining a fraction of the price of first-party competitors. 

What to consider when shopping for the best Tamron lenses 

Camera system

The number one thing to consider before buying a Tamron lens is if it will be compatible with your camera system. Tamron lenses are currently available for Sony E-mount, Fujifilm X-mount, Canon EF-mount (DSLRs), Nikon F-mount (DSLRs), and Nikon Z-mount mirrorless cameras. Unfortunately, Canon mirrorless shooters don’t have the option of using Tamron lenses without purchasing a separate adapter, as Tamron has not created any lens for Canon R-mount. Also, Tamron only recently began releasing lenses for Nikon mirrorless, so there are very limited options for Z-mount thus far.  

It is a frustrating moment to receive your lens in the mail only to realize that it won’t work with your camera. So, before you buy a Tamron lens, it is essential that you make sure to check that you’ve selected the correct lens mount that will work with your particular camera system. 

APS-C or full-frame

Tamron makes a range of lenses for both APS-C—also called crop sensor—and full-frame cameras. You can use full-frame lenses on APS-C cameras with no issues. However, an APS-C lens on a full-frame camera won’t cover the entire sensor, so you’ll be left with a black frame around your images. You can always crop this out (some cameras allow you to do so in-camera), but you won’t be able to take advantage of the full image area of your full-frame camera.

If you use a full-frame camera, we’d highly suggest sticking with a lens that Tamron specifically designed for full-frame sensors. If you currently use a crop sensor camera but think you may upgrade in the future, it may be a good idea to stick with full-frame lenses as well. If you simply want affordable and compact lenses for your APS-C camera, you’re best bet is to stick with APS-C lenses.

Prime or zoom

Tamron offers an impressive line-up of both prime and zoom lenses, and if you are new to photography, it can be overwhelming of where to start. Prime lenses have fixed focal lengths —meaning you will need to zoom with your feet. They typically have much faster apertures than a zoom lens, offer a higher level of quality, and are more compact. As a result, they are excellent tools for portraiture, photojournalism, and street photography. 

A zoom lens allows you to zoom in on your subject while standing in one place. The downside is that generally speaking, a zoom lens won’t have as fast of an aperture as a prime. And, many Tamron lenses (and budget lenses in general) have a variable maximum aperture, meaning you lose stops of aperture as you zoom in. Zoom lenses are great tools for photojournalists and are often found in the bags of wedding and event photographers, sports shooters, and nature photographers. 

Ultimately, you want a mixture of both types of lenses in your kit, and opting to use third-party lenses with your camera body can be a great way to build without spending as much money. 

Budget

Although Tamron lenses are typically less expensive than the lenses made by first-party manufacturers, prices on certain lenses can start to creep up. Before purchasing a Tamron lens, be realistic about your budget. Although the pricey ultra-telephoto lens might be fun, for what you are going to be shooting, a lower-cost all-in-one zoom might be a better long-term budget-friendly choice. 

FAQs

Final thoughts on the best Tamron lenses 

• Best overall: Tamron 28-75mm F/2.8 Di III VXD G2
• Best all-in-one: Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD
• Best ultra-wide: Tamron 11-20MM F/2.8 DI III-A RXD
• Best for wild-life: Tamron SP 150-600mm F/5-6.3 Di VC USD G2
• Best prime: Tamron SP 35mm F/1.4 Di USD

The best Tamron lens is largely dependent on what you are shooting, where you are shooting, and what camera system you are using. One of the biggest appeals of third-party lenses is that they offer a photographer a more affordable way to build out their camera kit. A third-party lens from Tamron will often be a fraction of the prices of comparable lenses that are made by the camera body manufacturer. Tamron offers a wide variety of zooms and primes for Sony, Fujifilm, Canon, and Nikon cameras—providing a choice for just about every kind of photographer. 

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best Tamron lenses of 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Canon EOS R5C		SEE IT	The R5C features a fan to prevent overheating and is capable of up to 8K video.
Best for pros		Canon EOS C300 Mark III		SEE IT	This pro-level camera features a Super 35mm sensor and is Netflix approved.
Best budget		Canon EOS R100		SEE IT	It’s tiny and affordable yet still offers 4K 24p video.

Canon cameras for video were some of the first to adopt HD video, starting with the EOS 5D Mark II. It was the first DSLR to offer full-HD video recording capability and made it possible for photographers to dive into video without having to invest in an expensive cinema camera. Since then, Canon has made it a priority to release cameras that work exceptionally well for shooting video along with still photography. The company’s current lineup features a number of cameras aimed at a wide variety of video shooters. Keep reading to learn more about the best Canon cameras for video.  

• Best overall: Canon EOS R5C 
• Best for pros: Canon EOS C300 Mark III
• Best mirrorless camera: Canon EOS R6 Mark II 
• Best for vlogging: Canon EOS R10
• Best budget: Canon EOS R100

How we chose the best Canon cameras for video

When selecting the best Canon cameras for video use, it was important to choose options that would appeal to a wide variety of video shooters: from professionals to content creators, vloggers, and enthusiasts looking to capture life’s everyday moments on something that isn’t their phone. We considered a range of budgets, features, and usability when selecting the cameras for this buying guide. We have hands-on experience with the majority of cameras that appear here, but also relied on editorial reviews and user feedback when making our selections. 

The best Canon cameras for video: Reviews & recommendations

Canon offers a huge array of cameras that shoot video for the creator at every level and every budget. No matter what your experience level, Canon likely has a product that will work for you. 

Best overall: Canon EOS R5C 

SEE IT

Specs

• Resolution: 45 megapixels
• Sensor size: Full-frame
• Lens mount: Canon RF
• Image stabilization: Digital only 
• Memory card slots: Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II)
• Weight: 1.7 pounds
• Dimensions: 5.6 x 4 x 4.4 inches

Pros

• Shoots 8K video
• Excellent autofocus
• Built-in fan 
• Includes waveforms

Cons

• Short battery life
• Only offers digital stabilization

You can think of the Canon EOS R5C as the video-centric version of the EOS R5. This 8K capable camera lacks image stabilization but features a built-in fan to prevent overheating while shooting. Canon built the camera around a 45-megapixel sensor and its DIGIC X image processor. It offers 15 stops of dynamic range, can record 10-bit 4K video at 120 fps, and is capable of shooting 45-megapixel stills. 

On top of all that, the Canon EOS R5C features a comfortable ergonomic build with fully customizable buttons. It’s a highly capable video camera that’s much smaller than a dedicated cinema camera and more budget-friendly. We do wish the battery life on this one was a bit longer, but this camera still checks a lot of boxes for filmmakers at many levels. 

Best for pros: Canon EOS C300 Mark III

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Specs

• Resolution: 8.85 megapixels
• Sensor size: Super 35mm 
• Lens mount: Canon EF
• Image stabilization: Yes, electronic IS 
• Memory card slots: Dual slot: CFexpress Type B and Single slot: SD/SDHC/SDXC
• Weight: 3.86 pounds (body only)
• Dimensions: 6 x 5.8 x 6.6 inches (without grip)

Pros

• Excellent image quality
• Cinema RAW light capabilities 
• Intuitive menus 
• Netflix streaming approved 

Cons

• Expensive

Canon’s EOS C300 Mark III is a high-end cinema camera designed for use on film productions and commercial shoots. It features a super 35mm sensor and advanced color science for accurate reproduction of skin tones. It can shoot 4K at 120p, has Dual Pixel CMOS AF up to 120p, and supports 4-channel recording. 

The modular design of the C300 Mark III makes it easy to customize with accessories depending on a filmmaker’s individual needs. It certainly isn’t cheap, but for filmmakers working on commercial sets, documentary work, or professional film shoots, it’s one of the best Canon cameras for video on the market. 

Best mirrorless: Canon EOS R6 Mark II 

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Specs

• Resolution: 24.2 megapixels
• Sensor size: Full-frame
• Lens mount: Canon RF
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.3 pounds (body only)
• Dimensions: 5.4 x 3.9 x 3.5 inches

Pros

• 10-bit video 
• False color display
• Capable of 6K video with an external recorder
• Dedicated video controls

Cons

• Inconsistent AF performance with video
• IBIS can lead to warp at edges of the frame

The EOS R6 Mark II is a fantastic hybrid camera for the creator who wants to shoot stills and video. That’s especially true because Canon decided to clearly separate the controls for each function. The R6 Mark II is capable of shooting 6K with an external recorder or 4K at 60p internally. And it includes advanced video features like false color display, C-Log, and HDR PQ modes. 

The image quality is excellent when shooting with the R6 Mark II, but there are some inconsistency issues when using AF while shooting video. Ultimately, the R6 Mark II is highly functional for a large variety of shooters with a price point that is nearly half of that of the R5 series. 

To read more about the R6 Mark II, check out our full review.

Best for vlogging: Canon EOS R10

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Specs

• Resolution: 24.2 megapixels
• Sensor size: APS-C 
• Lens mount: Canon RF
• Image stabilization: Digital (video only) 
• Memory card slots: Single SD/SDHC/SDXC (UHS-II) slot
• Weight: 15.1 ounces
• Dimensions: 4.8 x 3.5 x 3.3 inches

Pros

• 10-bit HDR PQ video 
• 4K 60p capabilities
• Affordable
• Out-of-camera HDR

Cons

• Unreliable AF tracking in video mode
• Rolling-shutter issues in 4K mode

Most vloggers want an uncomplicated, compact camera that will help them gather footage quickly without fiddling with too many settings or menus. That’s exactly where the EOS R10 excels. The camera uses the full sensor when recording UHD 4K 30p and can also shoot 4K 60p with a cropped region of the sensor. 

The fully articulating screen makes it an ideal option for doing a vlogging walk-and-talk or filming content in a home studio. It also features out-of-camera HDR, so you can plug it directly into an HDR TV or quickly upload it to YouTube. Unfortunately, you can’t record Log with this model, and its autofocus can be a bit unreliable with fast-moving subjects. Nevertheless, it’s a great choice for a content creator who is looking to capture footage that doesn’t require much post-processing work. 

To learn more about the Canon EOS R10, check out our full review.

Best budget: Canon EOS R100

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Specs

• Resolution: 24.1 megapixels
• Sensor size: APS-C
• Lens mount: Canon RF 
• Image stabilization: None 
• Memory card slots: Single SD/SDHC/SDXC slot
• Weight: 12.6 ounces
• Dimensions: 4.6 x 3.4 x 2.7 inches

Pros

• Compact and affordable
• 4K/24p video capabilities (cropped sensor)
• Excellent image quality

Cons

• No touchscreen 

Canon designed the EOS R100 to be an entry-level, affordable camera, and its features certainly reflect that. Although it has video features and is good for filming short clips, the low price point does come with a lower level of quality. It can shoot 4K 24p video using a cropped portion of its sensor or full-width 1080 60p. The R100 can shoot in slow motion, but only at 720 resolution. Features like Movie IS can smooth out camera movement, but once again, it comes with a crop. However, if you are looking for something simple and with a better lens than your phone, the R100 is a decent budget-friendly starting point for filming. 

What to consider when shopping for the best Canon cameras for video 

Sensor size

Having a nice big sensor is important when filming video. As a result, Full Frame and Super 35 are the most popular sizes found in cameras designed for shooting video. But how much of the sensor they are actually using is just as important. For example, a camera that can shoot 4K footage using the full width of a sensor will give you more leeway in the edit than one that is shooting 4K with a cropped area of the sensor. 

Stabilization

Shaky footage can take a lot away from your content. It can even be a significant deterrent for people trying to watch your videos, leading them to click away and watch something else instead. If you plan to record videos while hand-holding your camera and don’t have the budget for a gimbal, be sure to look for a Canon camera that offers effective image stabilization. And pairing your camera with a lens that also offers image stabilization will help you out even more.

Video resolution

4K capabilities have become the norm in the video world. Although it’s certainly nice to have a camera that can do that, it does mean you will need to stock up on fast memory cards and a speedy machine that can handle those massive files. Certain clients will demand 4K resolution footage, but in many scenarios, having 1080p footage will be plenty. Ultimately, the video resolution you need will depend on where your footage will be seen. 

Budget

The price of Canon cameras for video use is all over the map. A high-end Canon cinema camera can cost you up to $10K, while entry-level models can run between $600 and $1,000. More expensive doesn’t always mean best, though. Before you buy, consider your budget and what types of video content you’d like to be shooting. If you are primarily using your camera to capture footage that will be shown online, a mid-level machine should get you plenty of mileage. 

FAQs

Final thoughts on Canon cameras for video

• Best overall: Canon EOS R5C 
• Best for pros: Canon EOS C300 Mark III
• Best mirrorless camera: Canon EOS R6 Mark II 
• Best for vlogging: Canon EOS R10
• Best budget: Canon EOS R100

Ultimately, there is no one-size-fits-all Canon camera for video since Canon offers a variety of solid options for filmers at all levels. Canon was one of the first camera companies to put serious video tech inside of their products, and it’s no surprise that they continue to create cameras that put the needs of video makers at the forefront. Choosing the right camera for you means evaluating your budget, what your needs are as a video creator and where you ultimately want to see yourself go. Thankfully, there are a lot of great choices in Canon’s lineup that can grow alongside your video career. 

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best Canon cameras for video in 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Manfrotto XPRO Ball Head		SEE IT	With durable materials and a large load capacity, this Manfrotto ball head is the best for most.
Best for heavy equipment		3 Legged Thing AirHed Pro Ball Head		SEE IT	This 3 Legged Thing tripod ball head can hold up to 88 pounds.
Best budget		SmallRig Tripod Ball Head		SEE IT	This affordable option will keep your lightweight gear steady.

Tripod ball heads offer a compact way to stabilize your camera when shooting long exposures in nature, photographing products in the studio, or filming video. As the name suggests, ball heads rely on a spherical element secured in a cradle. Loosening a screw or nut releases pressure on the ball and allows it to move freely. Tightening it up locks the mechanism in place. We curated this list of the best tripod ball heads for any type of photography or video shooting.

• Best overall: Manfrotto XPRO Ball Head
• Best for heavy equipment:  3 Legged Thing AirHed Pro Ball Head
• Best value for heavy gear: Vanguard Alta BH-300 Ball Head
• Best for lightweight cameras: Benro IB0 Triple Action Ball Head
• Best budget: SmallRig Tripod Ball Head

How we chose the best tripod ball heads

The ball head tripod accessories that appear in this guide were primarily selected based on price and load capacity. When selecting the gear included here, we considered items that would be useful to a wide array of photographers and video creators who work on location and in the studio. Products were selected based on a combination of hands-on experience, editorial reviews, and customer feedback.

The best tripod ball heads: Reviews & recommendations

Tripod ball heads make adjusting your camera angle easy and quick. The options below are ideal for a range of photographers and videographers, so you can get one that best suits your needs. They are a sure way to round out a quality tripod so that you are able to get stable photos and videos in all situations.

Best overall: Manfrotto XPRO Ball Head

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Specs

• Load capacity: 33.1 pounds
• Built-in level: Yes, 2
• Weight: 1.1 pounds
• Materials: Aluminum Magnesium 

Pros 

• Extremely smooth
• 360 degree panoramic rotation
• Triple locking system

Cons 

• Pricey

Manfroto’s XPro Tripod Ball Head is made out of aluminum magnesium, which is lightweight and durable. It offers a load capacity of 33.1 pounds, and its triple locking system makes for extremely stable shots. A friction control knob helps you balance the weight of the camera and lens, while two leveling bubbles help keep your horizon lines straight. It utilizes a grease-free construction, which makes for smooth movement with fewer jerks—a great benefit for video shooters. It provides 360 degrees of panoramic rotation and -90/+40 degrees of lateral tilt. And it features an Arca-Swiss compatible plate, making it extremely quick to attach or remove your camera from the tripod. 

Best for heavy equipment:  3 Legged Thing AirHed Pro Ball Head

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Specs

• Load capacity: 88 pounds
• Built-in level: Yes, 1
• Weight: 11.36 ounces
• Materials: Aircraft-grade Magnesium Alloy

Pros 

• Strong, lightweight construction
• 360 degree panoramic rotation
• Quick release plate

Cons 

• Pricey

The 3 Legged Thing AirHed tripod ball head can hold up to 88 pounds of equipment—far more than most people will ever need. And yet it maintains a relatively lightweight profile thanks to its aircraft-grade magnesium alloy. A 360-degree clamp makes for smooth panning. It comes with an Arca-Swiss compatible quick release and has a single bubble level for keeping your shots straight. 

Best value for heavy gear: Vanguard Alta BH-300 Ball Head

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Specs

• Load capacity: 66 pounds
• Built-in level: Yes, 2
• Weight: 1.3 pounds
• Materials: Aluminum 

Pros

• Good value
• Two bubble levels
• 360-degree pan range

Cons 

• Friction system is a bit awkward

The Vanguard Alta BH-300 can support up to 66.1 pounds of camera equipment and yet it costs a fraction of the price of ball-heads that can support similar loads. It features a clamp and safety pin that prevents the plate from sliding out and has three separate control knobs for ball movement, friction control, and pan control. A single-cut notch allows a mounted camera to pan 90 degrees vertically. It’s made of aluminum, so it’s not quite as sturdy as some of the other options in this guide, but you can’t beat the price. 

Best for lightweight cameras: Benro IB0 Triple Action Ball Head

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Specs

• Load capacity: 13.2 pounds
• Built-in level: Yes, 2
• Weight: 11.3 ounces
• Materials: Magnesium 

Pros 

• Swiss-Arca compatible
• Separate locks for pan and fiction control
• Built-in bubble level
• 90 degree cutout for vertical orientation

Cons

• Not good for supporting heavy gear

This Swiss-Arca Ball Head from Benro is a great, affordable choice for smaller profile cameras. This lightweight head is only 11.3 ounces and 3.5 inches tall. It features separate locks for ball movement, panning control, and friction control. A 90-degree notch makes it easy to switch gear into portrait orientation while the camera is mounted on the ball head. And it offers a single bull’s eye leveling bubble for ensuring level horizons when shooting. 

Best budget: SmallRig Tripod Ball Head

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Specs

• Load capacity: 11.02 pounds
• Built-in level: None
• Weight: 5.67 ounces
• Materials: Aluminum Alloy

Pros

• Extremely budget friendly
• 360 degrees of rotation
• Very lightweight
• Independent pan lock

Cons

• Not built for heavy gear

Most tripod ball heads are fairly expensive, but this SmallRig option provides an affordable alternative. It’s also the most lightweight ball head on our list, weighing just 5.76 ounces. Of course, the compact design comes with downsides. It can only hold 11.02 pounds, so this tripod head isn’t meant for heavy gear. It comes with an Arca-Swiss style quick-release plate, features 360 degrees of rotation, and offers an independent pan knob for level, panoramic shots. It also supports vertical shooting with -90 / +45-degree front tilt and -50 / +50-degree lateral tilt. If you are a beginner looking for an affordable tripod ball head or have a lightweight kit, this is a great option.

What to consider before buying a tripod ball head

Ball head tripods are generally smaller, more lightweight, and easier to operate than a traditional three-way pan tilt head tripod. They are great when you are traveling with gear and are looking to lighten the load—making them an excellent tool for landscape photographers, studio shooters, and even video creators. Just don’t forget to also invest in a tripod that matches your gear and shooting style.

Load capacity and ball size

Load capacity is the number one thing to pay attention to when shopping for a ball head for your tripod. This refers to how much weight the ball head will be able to safely hold. A ball head that can support more weight will typically cost more money, but it’s a crucial thing to consider if you will be shooting with heavy camera equipment or long lenses. Generally speaking, ball head tripods that have balls with larger diameters will be able to support more weight and provide smoother pans once the camera is attached.

Quick release plates

Many of the most popular ball head tripods use an Arca-Swiss style quick-release platform—this allows you to easily attach and remove your camera from the tripod. These plates often fit the bottoms of cameras better than generic plates and have a dovetail design that makes it easy to secure onto the ball head.

FAQs

Final thoughts on the best tripod ball heads

• Best overall: Manfrotto XPRO Ball Head
• Best for heavy equipment:  3 Legged Thing AirHed Pro Ball Head
• Best value for heavy gear: Vanguard Alta BH-300 Ball Head
• Best for lightweight cameras: Benro IB0 Triple Action Ball Head
• Best budget: SmallRig Tripod Ball Head

Ball heads are a great lightweight tripod accessory for photographers shooting in the studio or out in the field. They even work well for video shooters. The fact that they are often pocket-sized makes them much easier to travel with than a pan-tilt tripod head. Just make sure you are investing in one that can handle the weight of the camera gear that you are attaching to it.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best tripod ball heads for 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Nikon Z9		SEE IT	This powerful camera offers 8.3K 60p video and superb still photos as well.
Best Sony		Sony a1		SEE IT	It offers class-leading autofocus and high-resolution stills on top of 8K video.
Best cinema camera		Blackmagic Design URSA MINI Pro 12K		SEE IT	This cinema camera offers 12K video and 14 stops of dynamic range.

8K Cameras create footage that is four times larger than what you can achieve with a camera that tops out at 4K. That translates to moving images that are brighter, sharper, offer way more details, and are viewable on massive screens. It also means that you will need high-quality, fast memory cards, large external storage drives, and computers with massive amounts of RAM to actually process all the info that a camera is creating when it shoots 8K. 

8K video is something that is still primarily used by professional filmmakers and commercial shooters. But it’s starting to become more popular with online content creators, amateurs, and enthusiasts who just don’t feel like 4K is enough. Keep reading for some of our favorite 8K cameras currently on the market.  

• Best overall: Nikon Z9
• Best Sony: Sony A1
• Best Canon: Canon EOS R5 C
• Best cinema camera: Blackmagic Design URSA MINI Pro 12K 
• Best budget: Fujifilm X-H2

How we chose the best 8K cameras 

The cameras that appear in this guide were selected through a mixture of hands-on experience, editorial reviews, and user feedback. When selecting the products below, it was important to choose cameras that could handle recording large amounts of 8K footage. Since many want a single device to do it all, we also aimed to choose hybrid cameras that can take excellent still photos as well. Usability and durability were also important when making our selections. 8K cameras are inherently expensive, but we have included a more budget-friendly option as well.

The best 8K cameras: Reviews & recommendations

Although 8K tech is certainly exciting, for most visual creatives, the high resolution is a bit overkill—especially when considering the high-end computers needed to actually process those massive 8K files. That being said, for a certain group of creators, having a camera that can reliably shoot 8K footage is a game changer.

Best overall: Nikon Z9

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Specs

• Resolution: 45.7 megapixels
• Video resolution: 8.3K 60p 
• Sensor size: Full-frame
• Lens mount: Nikon Z
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Dual slot: CFexpress Type B / XQD
• Weight: 2.9 pounds
• Dimensions: 5.9 x 5.9 x 3.6 inches

Pros

• 2-hour record limit for 8K
• Easy-to-use AF system
• Twin CF Express B card slots
• Durable build

Cons

• Heavy
• No fully-articulating screen

The Nikon Z9 snags our pick for best overall 8K camera thanks to its long 2-hour recording limit, fast read-out speed sensor, and impeccable and easy-to-use AF system. And while its price may seem high, given its specs, it’s actually quite a value compared to other 8K cameras currently on the market. It’s not just great for 8K video, either. The Z9 is built around a 46-megapixel full-frame sensor, producing highly detailed stills. And it can shoot jpegs up to 30 fps and raw photos up to 20 fps. 

The Z9 uses Nikon’s 3D Tracking AF system and can automatically detect whether the subject in the frame is a person, animal, or vehicle. Design-wise, the camera does a good job of keeping video and photo modes separate, making it a nice choice for the hybrid shooter who wants to use one body to accomplish both. Internal raw video can be captured in 12-bit N-RAW  at 8.3K 60p or 10-bit H.265 at UHD 8K 30p. And both the image stabilization and autofocus with video are impressive and reliable. Ultimately the Nikon Z9 is one of the best mirrorless full-frame cameras on the market that can shoot 8K video. 

Best Sony: Sony A1

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Specs

• Resolution: 50.1 megapixels
• Video resolution: 8K 30p 
• Sensor size: Full-frame
• Lens mount: Sony E
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Dual slot: CFexpress Type A / SD (UHS-II)
• Weight: 1.6 pounds
• Dimensions: 5.07 x 3.81 x 2.74 inches

Pros

• CFexpress Type A card slot and an SD card slot
• Excellent AF tracking
• Less prone to overheating
• High resolution is ideal for quality stills

Cons

• Expensive 
• No fully-articulating screen

Sony’s flagship camera may be expensive, but it doesn’t skimp on video specs. Built around a 50-megapixel full-frame sensor, the Sony A1 can shoot 10-bit 8K video at 30p with Log. Although many of the video features found inside the A1 are similar to those of the a7S III, the larger sensor found inside the A1 is what makes it capable of shooting full-width 8K footage. 

The camera features in-body image stabilization, which makes it great for shooting handheld. And its fast readout rates mean that dealing with pesky rolling shutter effect is typically not an issue. Compared to other mirrorless cameras offering 8K video, the A1 seems less prone to overheating while filming. If budget isn’t an issue, the Sony A1 is a great workhorse camera capable of shooting high-quality stills and superb 8K video. 

Best Canon: Canon EOS R5 C

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Specs

• Resolution: 45 megapixels
• Video resolution: 8K 30p 
• Sensor size: Full-frame
• Lens mount: Canon RF
• Image stabilization: Digital
• Memory card slots: Slot 1: CFexpress Type B, Slot 2: SD/SDHC/SDXC (UHS-II)
• Weight: 1.7 pounds
• Dimensions: 5.6 x 4 x 4.4 inches

Pros

• Netflix approved camera
• CFexpress card slot and a UHS-II SD card slot
• Fully articulating screen

Cons

• Only offers digital stabilization
• Battery limitations 

The Canon EOS R5 C is a video-oriented version of the Canon EOS R5—a hybrid-style camera that improves upon some of the video tech found inside the R5. Although these upgrades include a built-in fan to prevent overheating while shooting, they don’t stop there. The R5 C is one of the few mirrorless cameras to be listed as a Netflix-approved camera. It can shoot 12-bit Cinema Raw Light at 8K at 60p and includes a waveform monitor and a timecode socket. 

The R5 C uses the same LP-E6NH batteries found in the EOS R5, but when recording larger amounts of video, they do come with some limitations. At the fastest data rates, the internal batteries won’t have enough juice to power AF lenses. You can pair the EOS R5 C with an external power source to overcome these limitations, though it will make the setup a bit more bulky. 

Best cinema camera: Blackmagic Design URSA MINI Pro 12K 

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Specs

• Resolution: 79.6 megapixels
• Video resolution: 12K 60p, DCI 8K 120p
• Sensor size: Super 35
• Lens mount: ARRI PL
• Image stabilization: None
• Memory card slots: Dual slot: CFast (CFast 2.0), Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 5.62 pounds
• Dimensions: 9.2 x 5.92 x 5.87 inches

Pros

• Netflix approved camera 
• Incredibly versatile
• Can shoot up to 12K footage

Cons

• Requires build-out
• Not good for photography

This cinema camera is built around a 12K Super35 HDR CMOS sensor and can shoot 8K video at 120fps (or up to 12K 60fps). It boasts 14 stops of dynamic range, uses Blackmagic’s superior color science, and can record to CFAST cards or high-speed external USB C drives. As a cinema camera, it’s not meant to be used to shoot stills, although it does still have the option to frame grab. But its massive resolution makes it a great tool for filmmaking. 

It features built-in ND filters, an ARRI PL lens mount, and tons of inputs for connecting all varieties of microphones and monitors to the camera body. Compared to other 12K capable cinema cameras on the market, the Blackmagic Design URSA Mini Pro is an excellent value. Plus, it’s listed as one of the approved camera models for filming Netflix productions. 

Best budget: Fujifilm X-H2

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Specs

• Resolution: 40.2 megapixels
• Video resolution: 8K 30p
• Sensor size: APS-C
• Lens mount: ARRI PL
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Slot 1: CFexpress Type B, Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.5 pounds
• Dimensions: 5.4 x 3.7 x 3.3 inches

Pros

• Good image stabilization when shooting handheld
• Affordable for a camera that shoots 8K 
• Face and eye detection works in video mode

Cons

• Noticeable rolling shutter in made video modes
• No AF tracking when shooting video 

While it may seem absurd to call a camera that costs nearly 2K a budget choice, cameras with 8K capabilities tend to be expensive. Although the Fujifilm X-H2 may be one of Fujifilm’s most expensive APS-C cameras, for a camera that offers 8K video, it’s a steal. Its high-resolution 40-megapixel sensor, image stabilization, and face and eye detection make it a great choice if you are looking to shoot 8K footage without spending close to $5K. 

It can record 8K at 30p, and the built-in stabilization makes it a decent camera for shooting handheld footage without excessive wobbling. There’s no built-in fan on the X-H2, though. So if you are trying to film for a long time, don’t be surprised if the camera begins to overheat. You really can’t beat the price, though. 

What to consider when buying the best 8K camera 

Budget

The most important thing to consider when investing in an 8K camera is being realistic with your budget. 8K video is a high-end feature, and although it’s exciting to be able to shoot in such high resolutions, it’s going to cost you. Before you splurge on a camera that can record 8K video, consider exactly why you want that much out of a camera. 

If you are an independent filmmaker who is interested in eventually seeing their work on streaming platforms like Netflix, spending the extra money on a high-end cinema camera is probably worth the cost. If your work will primarily be seen online—where the differences between 8K and 4K footage are quite frankly negligible, it may be wise to pick a camera in the mid-range.  

AF & image stabilization 

The importance of having AF and in-camera image stabilization capabilities depend a lot on the way that you shoot. Many videographers prefer to manually focus lenses, so a camera with excellent AF may not be necessary. However, if you are more of a hybrid shooter, the ability to have the camera automatically select focus can be a big relief when shooting. In-camera IS is particularly important if you are planning to shoot handheld but matters much less if the camera recording 8K will be mounted to a tripod, monopod, gimbal, or shoulder mount. 

Computer RAM & memory cards

Choosing an 8K camera requires some planning beyond the image-making device. That beautiful 8K footage requires a ton of processing power from the machine that you will be editing on. If you are going to be shooting 8K footage, make sure you have fast cards, big drives, and a computer with enough RAM that it can keep up with the massive data contained within those video files. 

FAQs 

Final thoughts on the best 8K cameras 

• Best overall: Nikon Z9
• Best Sony: Sony A1
• Best Canon: Canon EOS R5 C
• Best cinema camera: Blackmagic Design URSA MINI Pro 12K 
• Best budget: Fujifilm X-H2

Ultimately an 8K camera is a big investment because if you are planning on shooting such high-resolution footage, you won’t just need to upgrade your camera. If you are ready to make the leap into 8K shooting, just make sure your memory cards, storage systems, and computers are up to the task of handling those massive files. But if you’re looking to capture video in the highest resolutions, an 8K camera may be worth considering. 

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best 8K cameras of 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Blue Yeti X Professional Condenser USB Microphone		SEE IT
Best compact condenser mic		SAMSON Meteor Mic USB Studio Condenser Microphone		SEE IT
Best on-camera mic		Rode VideoMic GO Lightweight On-Camera Microphone with Integrated Rycote Shockmount		SEE IT

Don’t let bad audio happen to good videos! It may seem like obvious advice, but unfortunately, there are a ton of vloggers out there who simply aren’t concerned with capturing quality audio for their video content. In many ways, the audio quality on a video is more important than how it looks. A mediocre video with excellent audio quality will likely get more views and engagement than something beautifully shot but has a narrator who hasn’t taken the time to record the audio correctly. Luckily there are a ton of great mics on the market that make it easy for content creators to record quality audio without too much fuss. These are the best microphones for vlogging that will make your vlogs sound more professional and hopefully lead to more engagement online. 

• Best overall: Blue Yeti X Professional Condenser USB Microphone
• Best compact condenser mic: SAMSON Meteor Mic USB Studio Condenser Microphone
• Best on-camera mic: Rode VideoMic GO Lightweight On-Camera Microphone with Integrated Rycote Shockmount
• Best compact on-camera mic: Rode VideoMicro II
• Best wireless mic system: Rode Microphones Wireless GO II Compact Microphone System
• Best budget: Uniwit Mini Portable Vocal/Instrument Microphone for Mobile Phone

How we picked the best microphones for vlogging

The editors and writers at Pop Photo have decades of experience in just about every genre of photography and video. When selecting the best microphones for vlogging, we looked at a range of brands and various form factors suitable for different vlogging styles. In addition, how well the mics handled noise, especially background noise, was an important consideration. Lastly, we tried to pick products at different price points so that there were options no matter your budget. 

Related: The best cameras for vlogging

The best microphones for vlogging: Reviews & recommendations

Don’t let your voice fade into the background noise. From desktop mics for voiceovers to compact, camera-mounted shotgun mics, these vlogging microphones will elevate your sound quality.

Best overall: Blue Yeti X Professional Condenser USB Microphone

SEE IT

Specs

• Connector type: USB
• Power source: USB
• Polar pattern: Omnidirectional, cardioid, bi-directional, stereo
• Form factor: Desk/studio

Pros

• Four pickup patterns
• Simple to use
• Excellent sound quality

Cons

• Has to be used on an even surface

Blue Yeti mics are a favorite of podcasters, streamers, and vloggers for a reason. This line of USB condenser mics is straightforward to use. It has an 11-segment LED light to monitor metering and make real-time adjustments as you record. In addition, Logitech G Hub and Blue Sherpa desktop apps will give you access to the Blue VO!CE broadcast effects to make sure your audio recordings sound their best for your vlog.

The Blue Yeti mic allows for four different polar patterns, meaning you can tailor settings to what you will be recording. As a result, it will provide excellent quality with manageable background noise, no matter if you do single-person voiceovers or large group conversations.

Best compact condenser mic: SAMSON Meteor Mic USB Studio Condenser Microphone

SEE IT

Specs

• Connector type: USB
• Power source: USB
• Polar pattern: Cardioid
• Form factor: Desk/studio

Pros

• Attractive design
• Easy to use
• Small and portable

Cons

• No gain control on the mic

The Samson Meteor Mic has a smooth, flat frequency response of 20hz-20khz, which is great for capturing the details of your voice. Cardioid pickup patterns are all on the front of the microphone, which helps minimize any ambient sound from being picked up while recording. In addition, 1/ 8-inch stereo headphone output allows for zero-latency monitoring while recording, and the unique foldable legs double as a perfect compact stand for this mic. 

Best on-camera mic: Rode VideoMic GO Lightweight On-Camera Microphone with Integrated Rycote Shockmount

SEE IT

Specs

• Connector type: 3.5mm mini-jack output
• Power source: Camera plug-in power – minimum 2.5V
• Polar pattern: Supercardioid
• Form factor: Shotgun

Pros

• Very lightweight
• Plug-and-play design
• Picks up minimal background noise

Cons

• Range can be a bit limited

Although most modern cameras can shoot good-quality video, the preamps tend to be lacking—the Rode VideoMic Go fixes that. Your camera powers this compact directional mic, so there is no need for an interface or extra batteries to keep it running. It attaches to the top of your camera and has a tight pickup area to capture the sound happening directly in front of your camera while minimizing distracting background noises. An integrated Rycote Lyre shock mount isolates the mic from bumps and vibrations in the recording. If you plan to be shooting a lot on location while vlogging, this accessory will make a big difference in your final product. 

Best compact on-camera mic: Rode VideoMicro II

SEE IT

Specs

• Connector type: 3.5mm TRS
• Power source: Camera plug-in power
• Polar pattern: Supercardioid
• Form factor: Shotgun

Pros

• Very compact and lightweight
• Comes with foam and furry windshields
• Isolation mount minimizes knocks and bumps while shooting
• Also works with smartphones

Cons

• Requires an adapter to work with most iPhones 
• Doesn’t mount directly on a smartphone

If the Rode VideoMic GO isn’t quite small enough for you, the VideoMicro II is the way to go. Weighing only 1.37 ounces, this tiny powerhouse attaches to most cameras—as well as some smartphone cases, grips, and tripods—with a cold shoe mount and 3.5mm TRS plug. Rode designed a new feature—the HELIX isolation mount—specifically for the VideoMicro II. This new mount protects against knocks and bumps while recording. 

Two windshields are included for enhanced sound capture when outside or in noisy settings. We used the furry windshield while recording in a very loud warehouse, and the sound isolation is incredible. Without the mic, the audio is all but unusable because of the high level of background noise. However, when filming with the VideoMicro II and the furry windshield, we can clearly capture voices without the background noise totally taking over. Plus, with the easy plug-and-play design, it allows us to quickly and easily record high-quality audio in any environment.

Best wireless mic system: Rode Microphones Wireless GO II Compact Microphone System

SEE IT

Specs

• Connector type: USB, 3.5 mm Jack
• Power source: In-built rechargeable lithium-ion battery
• Polar pattern: Omnidirectional
• Form factor: Clip-on pack

Pros

• Affordable for wireless options
• Simple to setup and use
• Extremely compact in size
• Excellent sound quality

Cons

• More expensive than wired options

This set of wireless lavaliers includes two transmitters with internal microphones and a receiver, allowing you to mic yourself and an interview subject and capture quality audio while on the go. It’s a versatile mic setup that could be useful for vlogging and shooting documentaries or short news videos. They have a 3.5mm TRS analog output, USB-C, and are iOS-compatible. The power source is a built-in rechargeable lithium-ion battery that can operate for 7 hours when fully charged and can be charged via USB. You can also use the Rode receiver as an interface. 

Best budget: Uniwit Mini Portable Vocal/Instrument Microphone for Mobile Phone

SEE IT

Specs

• Connector type: 3.5 mm Jack
• Power source: Laptop or phone – 3V
• Polar pattern: Unidirectional
• Form factor: Handheld or desktop with stand

Pros

• Trendy, fun design
• Compact and easily packable
• Extremely affordable

Cons

• Not the highest quality

This tiny 58mm mic offers comedic relief and decent audio capture for a ridiculously low price. Designed to work with a smartphone, you will need to hold this mini condenser mic close to your mouth if you want the best results. Will it sound as good as the other mics in this guide? It certainly won’t—but it’s also significantly more budget-friendly than the other mics in this guide. If you are looking for something inexpensive and are shooting your vlogs on your phone, this is actually a pretty capable product to get you started. It has also become iconic on Tik Tok and other social media platforms, so it has some extra clout there.

Things to consider before buying a microphone for vlogging

Selecting the best microphones for vlogging depends a lot on the kind of content that you will be covering. There is a wide variety of microphones available that are good for different styles of audio recording. Realistically, however, you may need a variety of mics to use depending on what you are recording. It’s not unusual to see popular vloggers at home or in the studio, but also out in the world on-location showing you how they got their shots. So ultimately, the mic that you use to capture your audio for your vlog should be the one that makes the most sense for a given situation.

There can be a lot of technical jargon thrown around with microphones that may be confusing if you are new to the world of audio. We’ve highlighted some of the more important terms below to help you decide on the best microphones for your vlogging. 

Types of microphones

One of the important considerations for vlogging microphones is the form factor you need, which essentially is where and how you will use the mic. There are three main options: Studio mic, lavalier mic (wireless or wired), or shotgun mic. As the name implies, Studio mics are your best bet if you will be in a studio or office setting. They are usually attached to a stand or boom on a desk, so you need a surface for them. Studio mics also are generally connected to a computer via USB, meaning you can simply plug them into your laptop and start recording. 

If your vlog content features on-location shoots, shotgun or lavalier mics that plug into your camera or a dedicated audio interface will serve you better than a USB studio microphone. A shotgun mic sits on your camera’s hot shoe or a separate boom. They are a barrel-shaped mic and pick up sounds in the direction the mic faces. In addition, shotgun mics usually have a shock-absorbing mount so that they don’t pick up noise when moved around. 

Lavalier mics–which can be wired or wireless–are the other option for on-location run and gun shoots. These are small, two-part mics with a receiver on the camera and a microphone that clips onto a person. They are closer to the mouth of the user than shotgun mics, meaning they can easily pick up on someone’s speech, and it is easier to edit out background noise.

Polar pattern 

A mic’s polar pattern refers to the direction or angle a mic can pick up sound. You can think of it as lens focal length and angle of view. Certain polar pattern types will pick up an area entirely surrounding the mic, whereas others only pick up what is directly in front of it. There are many different polar patterns, but omnidirectional and unidirectional are the most relevant to vlogging.

Omnidirectional mics pick up sound from 360 degrees around the mic. These mics are ideal for recording group discussions or situations where you want to capture environmental sounds. Of course, more audio from more directions might sound ideal, but when it comes to vlogging, streaming, or podcasting, a cardioid mic–a unidirectional device–is usually the preferred mic type.

Unidirectional mics record out of one specific area of the microphone. A cardioid mic is a variety of unidirectional mic that records in a heart-shaped pattern. These are ideal because they do a really good job of focusing primarily on your voice. In fact, they pick up about one-third as much ambient noise as omnidirectional. So, if you are recording your vlogs in a place where there might be background noise from neighbors, city streets, or anything else, a cardioid mic will be a great pick. 

Dynamic vs condenser mics

The other thing to consider when shopping for a mic for vlogging is the difference between dynamic and condenser mics. A condenser mic is usually more sensitive, which means you will get a crisper detailed sound, but it also means they pick up more of those background noises—or things like heavy breathing and lip-smacking. Many vloggers prefer a condenser mic to a dynamic mic and simply choose to minimize distractions like breathing or lip-smacking when they make their edits. 

Budget

When shopping for a vlogging microphone, the final thing to consider is your budget. In recent years the cost of microphones has come down significantly, and you can pick up a very capable USB mic or on-camera shotgun mic for around $100. Although there are certainly fancier options on the market, many require an audio interface to operate and a sound person to dial in the levels. We selected the mics in our buying guide with the assumption that most vloggers work alone, so the picks in this buying guide reflect those lower-cost microphones that are easy to operate alongside filming. 

FAQs

Final thoughts the best microphones for vlogging 

• Best overall: Blue Yeti X Professional Condenser USB Microphone
• Best compact condenser mic: SAMSON Meteor Mic USB Studio Condenser Microphone
• Best on-camera mic: Rode VideoMic GO Lightweight On-Camera Microphone with Integrated Rycote Shockmount
• Best compact on-camera mic: Rode VideoMicro II
• Best wireless mic system: Rode Microphones Wireless GO II Compact Microphone System
• Best budget: Uniwit Mini Portable Vocal/Instrument Microphone for Mobile Phone

Ultimately, audio quality is one of the most important—if not the most important—elements when making a vlog or any other kind of video content for the web. A video with bad audio quality is more likely to struggle with keeping would-be fans engaged. Investing in a nice USB mic, an on-camera shotgun, or a set of wireless lav mics will go a long way in elevating the professional quality of your vlogs, live streams, or whatever else you happen to be filming. Don’t let bad audio quality hold you back with one of the best microphones for vlogging.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best microphones for vlogging in 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Nikon Z9		SEE IT	The Nikon Z9 is a powerful and versatile tool for a variety of shooters.
Best for hybrid shooters		Sony z7 IV		SEE IT	A true hybrid, this is a great choice for pros who need to shoot stills and video.
Best high-resolution		Fujifilm GFX 100S		SEE IT	This medium format digital camera offers high resolution images at a relatively affordable price.

Professional photographers demand a lot from their gear, so professional cameras tend to have big sensors, fast shooting speeds, and impressive image quality. They also tend to be expensive. But when your camera gear pays your bills, it’s worth making that investment. Different genres of photography have different requirements, but the best professional cameras offer all the features that working photographers need to get the job done.

• Best overall: Nikon Z9
• Best overall runner-up: Canon EOS R5
• Best for portraits: Sony A1
• Best DSLR: Nikon D850
• Best for hybrid shooters: Sony a7 IV
• Best for sports: Canon EOS R3
• Best high resolution: Fujifilm GFX 100S
• Best budget: Canon EOS RP

How we chose the best professional cameras

When selecting the products that appear in this buying guide, it was important to choose cameras that can stand up to the rigors of life as a professional photographer. Working professional photographers generally require cameras with large sensors, fast shooting capabilities, and the ability to create high-resolution images. Because of these features, the cameras that appear in this guide tend to be pricey. 

Beyond general specs and features, we considered the different kinds of pros that certain gear would be appropriate for. A sports photographer generally has very different needs from a camera than someone who works in a studio specializing in still life or beauty. Finally, our selections were made through a combination of hands-on experience, editorial reviews, and user feedback. 

The best professional cameras: Reviews & recommendations

Whether you earn your living making portraits, documenting landscapes, capturing sports, or creating videos, these professional-grade cameras will live up to your expectations. 

Best overall runner-up: Nikon Z9

SEE IT

Specs

• Resolution: 45.7 megapixels
• Sensor size: Full-frame
• Lens mount: Nikon Z
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Dual slot: CFexpress Type B / XQD
• Weight: 2.9 pounds
• Dimensions: 5.9 x 5.9 x 3.6 inches

Pros

• Fast, high-resolution sensor
• 20 fps raw burst shooting
• Advanced video specs
• Pro-level handling and build

Cons

• Bulky form factor isn’t for everyone

The Nikon Z9 is an impressive beast of a camera, which is why it earned our Camera of the Year award in 2022. Nikon built the camera around a 45.7-megapixel BSI stacked CMOS, which is perfect for those who want highly detailed images. It is capable of fast burst shooting (up to 20 fps in full-res raw mode) and can buffer over 1000 raw files in a single burst. And the body of the camera is built for working professionals with robust dust and moisture resistance and an ergonomic design with a built-in vertical grip. 

The Z9 is a highly capable camera for video shooters as well. It can record up to 8K 30p video or 4K up to 120p. And, for situations where you need more detail and sharpness, you can take advantage of oversampled UHD 4K (from an 8K area) at up to 60p. The Z9 is fitted with an advanced autofocus system for fast, reliable, and accurate focusing, even with fast-moving subjects. And it can automatically detect nine distinct subjects, including humans, animals, airplanes, and bikes. 

Best overall runner-up: Canon EOS R5

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Specs

• Resolution: 45 megapixels
• Sensor size: Full-frame
• Lens mount: Canon RF
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Slot 1: CFexpress Type B, Slot 2: SD/SDHC/SDXC (UHS-II)
• Weight: 1.62 pounds
• Dimensions: 5.43 x 3.84 x 3.46 inches

Pros

• Accurate and fast focus tracking 
• Excellent image quality
• Fully articulating screen
• Good for 4K video 

Cons

• 8K video isn’t very practical 
• Prone to overheating when shooting video for a long time 

The Canon EOS R5 snags a tie for our pick of the best overall camera for professionals thanks to its 45-megapixel sensor, impressive continuous shutter speed, and video chops. It features in-body image stabilization that can reduce shake up to eight stops and a powerful Dual Pixel AF with 1053 AF points. Its fully-articulating touchscreen is great for video shooting or for stills shooters who favor odd angles. It features two memory card slots—one for SD and one for faster CFExpress cards. 

The R5 has a weather-sealed body with a rugged build that can stand up to the rigors that a professional photographer puts their gear through. Although the camera can technically shoot 8K video, the footage fills cards quickly, and the camera will overheat when shooting video for long periods of time. It’s much more suited for shooting 4K video, although if you are filming for a long time, it’s not unusual to get high-temp warnings. If you are a professional photographer who occasionally needs to capture clips or BTS footage, the Canon R5 is an extremely solid choice. Ultimately the R5 is a versatile tool for professional photographers who specialize in weddings, events, portraiture, and more. 

Read our full review of the Canon EOS R5.

Best for portraits: Sony a1

SEE IT

Specs

• Resolution: 50.1 megapixels
• Sensor size: Full-frame 
• Lens mount: Sony E
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Dual Slot: CFexpress Type A / SD (UHS-II)
• Weight: 1.6 pounds
• Dimensions: 5.07 x 3.81 x 2.74 inches

Pros

• Super fast capture 
• 8K video that doesn’t cause overheating issues 
• Advanced AF settings 
• Excellent dynamic range

Cons

• Expensive 
• No articulating screen 

The Sony A1 is a high-end full-frame camera built around an impressive 50-megapixel sensor. Sony built this camera with the professional working photographer in mind. That high-resolution sensor also means it can handle long bursts of up to 30 fps even when capturing full-resolution photos. It offers fast autofocus with advanced settings for tracking faces, eyes, and even animals. 

On the video front, the A1 can shoot oversampled 8K video at 30 fps and oversampled 4K up to 120 fps—making it a great choice for hybrid shooters. It packs all of this tech into an impressively compact body that’s a similar size to Sony’s a7 series. If you are a professional who prefers to shoot Sony, you can’t go wrong with the A1.

Read our full review of the Sony A1.

Best DSLR: Nikon D850

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Specs

• Resolution: 45.7 megapixels
• Sensor size: Full-frame 
• Lens mount: Nikon F
• Image stabilization: None
• Memory card slots: Slot 1: SD/SDHC/SDXC (UHS-II). Slot 2: CFexpress Type B / XQD
• Weight: 2.01 pounds
• Dimensions: 5.7 x 4.9 x 3.1 inches

Pros

• High-end sensor 
• Excellent optical viewfinder 
• Impressive dynamic range 

Cons

• Older technology
• Slow burst speeds 

Although these days, most professional photographers are upgrading to mirrorless cameras, there are some who still prefer a DSLR. In a field that’s dominated by mirrorless cameras, the Nikon D850 remains a highly capable tool for photographers who don’t need particularly fast burst speeds. This 45-megapixel camera offers extremely fast autofocus and results in beautiful high-resolution images. It can record 4K video and 8K time-lapses. Although it was released way back in 2017, it remains one of the best DSLRs on the market. 

Best for hybrid shooters: Sony a7 IV

SEE IT

Specs

• Resolution: 33 megapixels
• Sensor size: Full-frame 
• Lens mount: Sony E
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Slot 1: CFexpress Type A / SD (UHS-II), Slot 2: SD/SDHC/SDXC (UHS-II)
• Weight: 1.4 pounds
• Dimensions: 5.2 x 3.8 x 3.1 inches

Pros

• Excellent for photo and video 
• Powerful autofocus 
• Good ergonomics 
• Highly customizable

Cons

• Low resolution on the back screen
• Complicated menu organization

The Sony a7 IV is one of the best hybrid cameras currently on the market, making it a great tool for professionals who find themselves shooting stills and video. Its image quality is extremely good, and the accurate autofocus works well in each mode. The camera is highly customizable, meaning you can fine-tune it to very specifically meet your needs as a shooter. However, that does lead to some overly-complicated menu systems that will require patience to get things dialed in. Overall the Sony a7 IV is a highly capable tool for stills and video. 

Read our full review of the Sony a7 IV.

Best for sports: Canon EOS R3

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Specs

• Resolution: 24.1 megapixels
• Sensor size: Full-frame 
• Lens mount: Canon RF
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Slot 1: CFexpress Type B, Slot 2: SD/SDHC/SDXC (UHS-II)
• Weight: 2.2 pounds
• Dimensions: 5.9 x 5.6 x 3.4 inches

Pros

• Unparalleled AF tracking (excellent for sports) 
• Blackout free shooting
• Shoots 6K video 
• Capable of 30 fps burst shooting

Cons

• Expensive
• Features will be overkill for many professional photographers

Designed with sports photographers in mind, the Canon EOS R3 puts an emphasis on speed above all else. It features a big, bright viewfinder and Eye AF tech that uses the shooter’s eyeball to determine where it should be focused. It’s capable of up to 30 fps continuous shooting, so you can be sure to get the shot even with fast-moving sports. And the burly body feels perfectly balanced even when it’s used with a large telephoto lens. If you shoot sports for a living, this is one of the best cameras currently on the market. 

Best high resolution: Fujifilm GFX 100S

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Specs

• Resolution: 102 megapixels
• Sensor size: Medium format (43.8 x 32.9 mm)
• Lens mount: Fujifilm G
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 2 pounds
• Dimensions: 5.9 x 4.1 x 3.4 inches

Pros

• Effective in-body image stabilization 
• Immaculate image quality 
• Affordable compared to other medium format cameras 

Cons

• Not great for capturing action 

If you are the type of pro whose images end up being printed big—plastered on the sides of buildings or buses—the Fujifilm GFX 100S has a lot to offer. The 102-megapixel medium format sensor means that images can be displayed much larger than if you were shooting with a full-frame camera. The GFX 100S also features in-body image stabilization up to six stops with\ hybrid autofocus. Should you need even more resolution, it offers a clever multi-shot mode that can create 400-megapixel images. It’s an excellent camera for shooting in the studio. 

Best budget: Canon EOS RP

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Specs

• Resolution: 26.2 megapixels
• Sensor size: Full-frame 
• Lens mount: Canon RF
• Image stabilization: Digital, 5-Axis (video only)
• Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.07 pounds
• Dimensions: 5.2 x 3.3 x 2.8 inches

Pros

• Affordable price point
• Excellent image quality 
• Full-frame sensor

Cons

• Single memory card slot

Although the Canon RP lacks some of the pro-level features of the other cameras in this buying guide, the low-price point makes it extremely appealing. The Canon RP is the most affordable full-frame camera on the market, and it keeps its price low while still offering impressive resolution and excellent image quality. It can shoot five frames per second, has Dual Pixel AF, and even shoots 4K video. This is a great choice for someone who is just getting started with their photography career or a pro looking to pick up an inexpensive second body. 

What to consider when choosing a professional camera

Resolution

Resolution refers to the level of detail that is found in an image. The higher the resolution, the more pixels there are in an image. The sweet spot for many professional photographers falls somewhere around 30 megapixels, although having more megapixels does mean that you can display images larger without the quality degrading. When determining how much resolution is right for you, consider where your work will be seen. Photographers working in advertising, weddings, or still life typically opt for cameras with higher resolution, while photographers whose work primarily appears online can get away with less. 

Max continuous shutter speed

If you are shooting sports, music, or events professionally, having a camera with a fast continuous shutter speed goes a long way in helping you capture the moment. On the other hand, if you are primarily working in the studio or shooting portraits, a fast max continuous shutter speed becomes much less important. 

Memory card slots 

Most working pros require a camera with dual memory slots. Having two memory card slots means that you can back up your work throughout the day by shooting to two cards. Many professional cameras allow photographers to shoot raw and JPEG simultaneously and save the files to two individual cards, providing a safety net in case something happens to one. 

Budget 

The most important thing to consider when buying a professional camera is your budget. A professional camera is going to be more expensive than whatever the camera you learned to shoot on was. It will likely cost you at least a few thousand dollars. But, if photography is your career, having high-quality gear that you can count on while at work is important. 

FAQs

Final thoughts on the best professional cameras

• Best overall: Nikon Z9
• Best overall runner-up: Canon EOS R5
• Best for portraits: Sony A1
• Best DSLR: Nikon D850
• Best for hybrid shooters: Sony a7 IV
• Best for sports: Canon EOS R3
• Best high resolution: Fujifilm GFX 100S
• Best budget: Canon EOS RP

The best professional cameras are expensive, but their rugged build quality and advanced features mean you can rely on them to get the job done. If you pay your bills by making pictures, having gear that you can trust will give you peace of mind when you head to your shoots. Before making that big purchase evaluate your specific needs as a photographer to figure out what professional camera makes the most sense for you. 

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best professional cameras of 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Savage Seamless Backdrop Paper		SEE IT
Best high-end portable		Manfrotto EzyFrame Vintage Background Kit		SEE IT
Best for product photography		Amazon Basics Portable Foldable Photo Studio Box		SEE IT

Adding a photography backdrop (or a few) to your kit is a great way to elevate the professional quality of your work easily. They are indispensable tools if you are working in the studio as a portrait or product photographer, but they can also be extremely helpful for videographers and other content creators. And they can add a unique element to outdoor shoots. Keep reading to learn more about some of the best photography backdrops currently available. 

• Best overall: Savage Seamless Backdrop Paper
• Best high-end portable: Manfrotto EzyFrame Vintage Background Kit, 6.5×7.5′, Concrete
• Best for product photography: Amazon Basics Portable Foldable Photo Studio Box
• Best foldable: Kate Collapsible Backdrop Pop-up
• Best budget: Julius Studio 9 x 13 Ft. Photo Studio Chromakey Background Muslin Backdrop Bundle Kit

How we chose the best photography backdrops

When selecting the backdrops in this buying guide, it was important to consider a wide variety of budgets for different styles of photographers. For example, someone who primarily works shooting small products or on-figure e-commerce will have very different backdrop needs than a photographer focused on headshots or editorial portraiture. 

In making our selections for this buying guide, we considered products we have personally used on shoots, referenced editorial reviews, and user feedback.

The best photography backdrops: Reviews & recommendations

Whether you are a videographer looking for a background for your vlogs or a portrait photographer hoping to take your studio to the next level, these photography backdrops will get the job done.

Best overall: Savage Seamless Backdrop Paper

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Specs

• Color: White (available in 55 colors)
• Material: 163 GSM paper
• Dimensions: 107 inches wide, 36 feet long (available in 9 sizes)
• Weight: Not provided

Pros

• Affordable 
• Industry-standard for creating a smooth look
• Available in 55 colors 
• Available in a variety of sizes

Cons 

• Need tall ceilings to store 
• Difficult to set up larger rolls while working solo 

Savage Seamless Paper is an indispensable tool for photographers and videographers of all levels and a staple of the photo studio. This industry standard product is made of thick, non-reflective paper making it great for a wide variety of shoots. It’s available in 55 vibrant colors and is 100 percent recyclable. And it comes in a range of sizes, making it one of the best photography backdrops for all sorts of photographers and photography subjects. Plus, once you are done with your shoot, you simply trim off the bottom section of the paper and re-roll. So there’s no need to fuss over ironing or steaming out wrinkles and creases before your next shoot. 

Best high-end portable: Manfrotto EzyFrame Vintage Background Kit, 6.5×7.5′, Concrete

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Specs 

• Color: Concrete
• Material: Fabric
• Dimensions: 6.5 x 7.5 feet
• Weight: 10.7 pounds

Pros

• Good for travel 
• Easy to set up 
• Good for portraits or small groups
• Comes with a carrying case

Cons 

• Expensive 
• Limited colors 

This combo kit and frame make it easy to set up a beautiful, professional-looking backdrop wherever your shoot may take you. Although it’s pricey, the frame is easy to set up solo and has a durable build. Plus, the muslin backdrop clips on, cutting down on the time it will take you to get the whole thing set up for your shoot. 

The backdrop itself comes in ten colors, including Olive, Tobacco, Concrete, and Smoke. But we don’t see a reason why you wouldn’t be able to attach any fabric you want to the frame with a few handy clamps to increase the versatility of this kit.

Best for product photography: Amazon Basics Portable Foldable Photo Studio Box

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Specs 

• Color: White
• Material: Fabric
• Dimensions: 30 x 25 x 25 inches
• Weight: 14 pounds

Pros 

• Good for product photography 
• Small setup for compact spaces
• Front 3-door design minimizes reflections 
• Comes with built-in LED lights

Cons 

• Limited functionality for larger items

This tabletop lightbox is an ideal backdrop for shooting product photography or small still lifes. It measures 25 by 30 by 25 inches when popped open but collapses into a thin portfolio case when not in use. It includes a power supply, a pre-installed white backdrop, and built-in 5600K daylight-balanced LED lights. The setup makes it easy to professionally shoot your products even with only a smartphone. 

The front three-door system will maximize the number of angles you can shoot from while also reducing outside reflections. In addition, this particular model happens to be compatible with the Amazon Seller app—making it easy to shoot, edit, and upload images directly to Amazon. 

Best foldable: Kate Collapsible Backdrop Pop-up

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Specs

• Color: Teal and grey
• Material: Microfiber
• Dimensions: 78 x 60 inches
• Weight: 5.59 pounds

Pros

• Easy to set up and travel with
• Good for headshots or use as a zoom background
• Safe to iron 

Cons 

• Tends to get wrinkly

This double-sided pop-up backdrop functions similarly to a 5-in-1 photo reflector. It’s made of microfiber material and is safe to iron in case of wrinkles. Each backdrop comes with two colorways for diverse looks, and when it is unfolded measures 5×6.5 feet—making it an excellent option for shooting headshots of adults or portraits of children. 

Three hook and loop fasteners make it easy to attach to a backdrop or light stand while shooting. It’s a lower-cost, portable option that looks great if you are only shooting one person at a time.  

Best budget: Julius Studio 9 x 13 Ft. Photo Studio Chromakey Background Muslin Backdrop Bundle Kit

SEE IT

Specs 

• Color: Black, white, and green chromakey
• Material: Polyester muslin
• Dimensions: 9 x 13 feet
• Weight: 9.24 pounds

Pros 

• Lightweight, easy to travel with
• Machine washable
• Rod pocket makes it easy to hang 

Cons 

• Prone to wrinkling 
• Rod pocket sizes vary 

This budget backdrop bundle includes three cloth backdrops in some of the most popular colors: black, white, and chroma key (which you can use for shooting greenscreen). They have a machine washable design and a rod pocket for hanging on a crossbar stand. And because they are made of cloth, they are extremely easy to travel with. 

Although this option is certainly budget-friendly, this style of cloth backdrop is prone to wrinkling, so it’s helpful to have a steamer or iron on hand to smooth things out before your shoot. Also, based on some user reviews, the rod pocket sizes vary, resulting in incompatibility with some backdrop stands. But if you are looking to save, you certainly can’t beat the price. 

Things to consider before buying the best photography backdrops

Backdrop material

The most important thing to consider before buying a backdrop for your photography or videography project is to consider what the needs of the project are. Our overall choice for a photography backdrop is the versatile seamless paper because it works so well for so many different scenarios and so many different kinds of photographers. Although larger rolls of seamless can be more difficult to travel with, in many ways, they remain the best tool for working in the studio or on location somewhere.

High-quality fabric backdrops tend to be more expensive, but they will last you a lifetime. If you are a portrait photographer honing a specific style or working on a project that requires a level of consistency from image to image, going with a more expensive fabric backdrop might be a more ideal option. 

Size

The final thing to consider is backdrop size. If you are shooting large groups of people, you will need a much bigger backdrop than if you are shooting headshots, children’s portraits, still lifes, or product photography. 

Ultimately the best backdrop for you depends a lot on where you are shooting, what you are shooting, and your personal preferences as a photographer. It’s not unusual for professionals to have a few different backdrop options at the ready, depending on the shoot. 

FAQs

Final thoughts on the best photography backdrops

• Best overall: Savage Seamless Backdrop Paper
• Best high-end portable: Manfrotto EzyFrame Vintage Background Kit, 6.5×7.5′, Concrete
• Best for product photography: Amazon Basics Portable Foldable Photo Studio Box
• Best foldable: Kate Collapsible Backdrop Pop-up
• Best budget: Julius Studio 9 x 13 Ft. Photo Studio Chromakey Background Muslin Backdrop Bundle Kit

Backdrops are an easy way to elevate the look of your photography because they will make your subject pop. Additionally, they eliminate distracting background elements that might be present when shooting outdoors. The best backdrop option for you depends on what you are shooting, where you are shooting, and what you want the end result to look like. When it comes to backdrops, the most expensive option isn’t always the best option. 

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best photography backdrops of 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

The Blackmagic Pocket Cinema Camera 6K G2 offers videographers high-quality raw footage at an early-in-the-career-friendly price point. Its compact profile makes it an ideal choice for the filmmaker working solo. The menu systems are intuitive and easy to navigate, and while it certainly isn’t designed to do everything, it’s an excellent choice for capturing beautiful video footage. The Blackmagic Pocket Cinema Camera is known for its excellent video quality and advanced color science, and the 6K G2 did not disappoint. We spent a few weeks using the BMPCC 6K G2 to see how it performed in real-world situations to put it to the test.

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Overview: The BMPCC 6K G2’s compact form factor makes it an ideal choice for solo and run-and-gun filmmakers. It offers beautiful video quality and intuitive controls at a relatively affordable price.

Key specs:

• Image sensor: 23.1 x 12.99 mm (Super35) CMOS
• Sensor resolution: 21.2 megapixels (6144 x 3456)
• Max video quality: Raw 6K (6144 x 3456) up to 50 fps
• Lens mount: Canon EF
• Memory card slot: Slot 1: SD/SDHC/SDXC (UHS-II), Slot 2: CFast
• Built-in microphone: Stereo
• Dimensions: 7.08 x 4.84 x 4.41 inches
• Weight: 2.65 pounds

Pros

• Affordable cost 
• Articulating screen
• Optional EVF
• Intuitive menu system
• Delivers beautiful high-quality video footage

Cons: 

• No built-in ND filters
• Battery attachment makes the camera body bulky
• Best used with a cage, which will need to be purchased separately 

What’s new 

The BMPCC 6K G2 has a larger battery for longer shooting times and includes an optional EVF attachment and an articulating touchscreen. In many ways, the BMPCC 6K G2 is similar to the BMPCC 6K Pro in form and function. While the Pro has a higher nit value on its touchscreen and built-in pro filters, the G2 is $540 cheaper. That price difference makes it a great choice for a filmmaker on a budget or as a secondary camera.

It can shoot 6144 x 3456 6K footage up to 50fps and 6144 x 2560 (6K 2:4:1) up to 60fps. There are also options to shoot in 60fps at 5.7K, 4K DCI, Ultra HD, and 3.7K 6:5 anamorphic. If you want to shoot at 120 fps, you will need to drop the resolution down to 2.8K 17:9 or HD.

Blackmagic Pocket Cinema Camera 6K G2 design

The BMPCC 6K G2 has a similar form factor to the 6K Pro. In hand, it feels like a chunky oversized DSLR, although most filmmakers will probably end up putting the camera in a cage for easier handling. It’s just over 7 inches wide, 4.84 inches tall, and 4.4 inches deep; the body weighs only 2.65 pounds. Although it’s not small enough to fit in your actual pocket, it is much more lightweight compared to other cinema cameras on the market. It utilizes a Canon EF lens mount that is compatible with many photography and cinema lenses. 

The BMPCC 6K G2 maintains the same intuitive controls found on the 6K Pro. There’s a big on/off switch on the top of the camera, next to three customizable buttons. Here you will also find controls for ISO, shutter speed, white balance, and a massive record button. Although Blackmagic didn’t design this camera for photography, there is still a dedicated button for capturing stills while recording.

The 5-inch articulating touchscreen is where you will change the majority of the settings on the camera. By hitting the button with three lines, you’ll access the menu. On the back of the camera, you will also find controls for iris, focus, high frame rate, zoom, and playback. You can find a smaller record button beside the lens mount and an aperture wheel on the front of the grip. 

The camera’s right side features slots for a CFast media card or an SD card, with the audio connections on the left side. The bottom of the camera contains the battery door and standard ¼-20 threaded holes for attaching the camera to a tripod or shoulder mount. 

Most filmmakers will probably want to use the BMPCC 6K G2 with a third-party cage to take advantage of additional accessories. These metal housings are covered in additional threaded holes and make it easy to attach handles, audio equipment, extra monitors, and more. Essentially, the cage makes it so filmmakers can rig out their cameras as they see fit. Although this will add some bulk to the lightweight design, it makes the camera a lot more versatile.

Overall the BMPCC 6K G2 has a streamlined design, well-laid-out controls, and an intuitive menu that makes it easy to start shooting. 

Audio connections

Like the BMPCC 6K Pro, the G2 has two locking mini-XLR mic inputs with phantom power. It also sports a 12-volt power input, an ⅛ inch audio input, headphone out, a USB-C jack, and an HDMI output. The controls are placed behind small doors to protect them when not in use. A pair of integrated microphones surround the lens mount. They are fine for capturing ambient audio, but an external mic is your best bet for capturing interviews or dialogue. 

Battery

The BMPCC 6K G2 uses a single Sony NP-F570 battery that can record for approximately 60 minutes. Filmmakers looking for longer battery life can attach a battery pack that holds two additional batteries to the bottom of the camera’s body. It will prolong the camera’s recording time, but it does add considerable bulk and will require the camera to be in a much larger cage. 

Although I didn’t find it necessary during my time with the camera, having that extra juice could be useful. That’s especially true if you plan on mounting the camera on a tripod for a long interview or for capturing video footage of a lengthy presentation or event. 

Recording media

The BMPPCC 6K G2 can record up to 6K RAW to CFast media cards, external SSDs, or SD UHS-II cards. If you are using external SSDs, make sure that you have cable locks to keep the connection between the SSD and the camera secure. Having a camera cage with a dedicated slot for securing an SSD is also recommended. 

EVF 

New to the BMPCC 6K G2 is the Pro Electronic Viewfinder. This optional accessory attaches to the port on the top of the camera. Although the bright articulating screen is excellent in many situations, having the option to add an EVF makes it easier to shoot. It also makes it easier to pull focus when shooting outdoors on a bright sunny day. The EVF comes with three sizes of eyecup as well. 

Final thoughts on the Blackmagic Pocket Cinema Camera 6K G2

The BMPCC 6K G2 offers pro-level video quality on a budget. That makes this an excellent option for indie filmmakers early in their careers. It’s also an attractive second camera for more seasoned shooters. The compact size makes it easy to travel with, and its adaptable design makes it versatile enough to work on a variety of shoots. The menu system is extremely intuitive (especially when compared to mirrorless cameras that try to do it all). But most importantly, it’s capable of delivering absolutely stunning footage. Plus, at $1,595, it’s an affordable way for young filmmakers to make the jump to working with a cinema camera. 

The post Blackmagic Pocket Cinema Camera 6K G2 review: Pro-grade cinema camera without the high price tag appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.